I'm not normally one to judge a book by its cover, much less a wine by its label. This morning, however, I spotted a wine label that simply had to come home with me.
It's this:
Mine is a Chandler & Price Oldstyle (10 x 15), but the Favorite looks a whole lot like it!
I bought the Shiraz. I like the way the white shows off the engraving better.
Good old Trader Joe's strikes again. Happy New Year to me!
Friday, December 27, 2013
Thursday, October 31, 2013
Kelsey Again
It's a typical late model Kelsey. Pencil substitutes for where the .360" shaft is needed. Fits fairly well!
Another view of pencil joint!
The bed, clamped, still does not seem to seat its lugs around the base lugs. Should it?
Bed rocker arm with Kelsey's ad on it.
Tuesday, October 29, 2013
NaNoWriMo is almost here!
This should work: I made myself an Old School Calendar for NaNoWriMo, and hope other authors can download it here.
I think the trick is to click the photo, then right-click and save the larger resolution image which results.
I think the trick is to click the photo, then right-click and save the larger resolution image which results.
Monday, July 29, 2013
Lunchtime Reading: more surprising printing notes
An interesting surprise from 1867. In The Riverside Magazine For Young People (Vol I, No V: May, 1867, pg 210 & 211): an article about printing in China. You'll have to click to biggify, but it's kind of fun to read.
Sunday, July 28, 2013
Stereo Cards: Sears Printing. Who knew!
Picked these up today. They are No. 32, 34, and 21 in a series about the Sears & Roebuck Co. in Chicago. They are undated. The photo of the lobby seems to tell me, from the women's fashions, that it was taken between 1900 and 1915 [update: correct. The website linked below confirms a date of appx 1905, corroborated by several cards which show more fashionable ladies). However, the large presses pictured in the press room seem rather advanced for that date. I will defer to my friends from Letpress in hopes of further information.
NOTE: to see these well, you will have to double click to biggify them!
And an update, thanks to Dr. David MacMillan on Letpress: the complete set is viewable here, with all text on the obverses. Important because a set from the Edgar Rice Burroughs collection is online, but only a few of the cards' obverse sides are included.
NOTE: to see these well, you will have to double click to biggify them!
And an update, thanks to Dr. David MacMillan on Letpress: the complete set is viewable here, with all text on the obverses. Important because a set from the Edgar Rice Burroughs collection is online, but only a few of the cards' obverse sides are included.
Labels:
letterpress printing,
Printing history,
Sears,
Stereo cards
Tuesday, July 02, 2013
Arboret Ornaments
Just to show off how nicely Arboret's ornaments are packaged at Skyline Type Foundry.
That is a wonderful method: all pieces labeled, and the label itself dated. Thanks, Sky!
I ordered two boxes of ornaments, not knowing if they'd ever be cast again once Sky runs out of the original casting. I laid them into the California Job Case with the two sizes (12 & 14 pt) of type. It would be awkward to store two boxes of ornaments separately from their designated typeface. I added labels so I can tell which ornaments are which.
As you can tell, I am a big fan of the "cordwood" type arrangement. It prevents delicate kerns from breaking, and the face itself from scratches caused by other sorts.
Since Arboret is a caps-only face, I laid the actual 12 and 24 point letters in the lower case sections of this California case. This leaves plenty of room for the ornaments to inhabit the upper case section.
That is a wonderful method: all pieces labeled, and the label itself dated. Thanks, Sky!
I ordered two boxes of ornaments, not knowing if they'd ever be cast again once Sky runs out of the original casting. I laid them into the California Job Case with the two sizes (12 & 14 pt) of type. It would be awkward to store two boxes of ornaments separately from their designated typeface. I added labels so I can tell which ornaments are which.
As you can tell, I am a big fan of the "cordwood" type arrangement. It prevents delicate kerns from breaking, and the face itself from scratches caused by other sorts.
Since Arboret is a caps-only face, I laid the actual 12 and 24 point letters in the lower case sections of this California case. This leaves plenty of room for the ornaments to inhabit the upper case section.
Saturday, June 29, 2013
Can't resist
A printers "hellbox" is where old type goes to die. Thrown into a convenient receptacle because it's worn or damaged, hellbox type finds new life only by being traded to the typefounder, who melts it down to make brand new type.
After the Wayzgoose in Phoenix, we traveled to Skyline Type Foundry in Prescott. I had a reasonably full hellbox to trade in-- but this pic shows the granddaddy hellbox of them all. It's from the International Printing Museum, where I volunteer once a month.
Even after the feeding frenzy of the Goose, and our new purchases at Sky's, could any of us resist pawing through it? Might there be good sorts? There were a few still-wrapped fonts in there!
After the Wayzgoose in Phoenix, we traveled to Skyline Type Foundry in Prescott. I had a reasonably full hellbox to trade in-- but this pic shows the granddaddy hellbox of them all. It's from the International Printing Museum, where I volunteer once a month.
Even after the feeding frenzy of the Goose, and our new purchases at Sky's, could any of us resist pawing through it? Might there be good sorts? There were a few still-wrapped fonts in there!
Thanks to Tom Parsons for this shot.
Friday, June 14, 2013
More Victorian
Biggify to truly enjoy this great old design!
Purchased from Dave Peat, well-known collector: Bruce's Ornamented No. 1515, known as Belgian (despite the label!). I found out that Dave Peat had purchased Paul Hayden Duensing's cutting of 24 Belgian, and Bob Magill of Monumental Type Foundry cast them. Duensing himself wasn't pleased with it, and cast only a few sorts before selling the mats to Peat. I don't know how many fonts Monumental produced: Dave had two at the Wayzgoose, and I bought one.
The Bruce Company itself was in business for most of the 19th century. Their designer Julius Herriet Sr. is given credit for the lowercase in 1867, two years after its initial use as a titling font. Thanks for Dr. David MacMillan for fuller information.
Purchased from Dave Peat, well-known collector: Bruce's Ornamented No. 1515, known as Belgian (despite the label!). I found out that Dave Peat had purchased Paul Hayden Duensing's cutting of 24 Belgian, and Bob Magill of Monumental Type Foundry cast them. Duensing himself wasn't pleased with it, and cast only a few sorts before selling the mats to Peat. I don't know how many fonts Monumental produced: Dave had two at the Wayzgoose, and I bought one.
The Bruce Company itself was in business for most of the 19th century. Their designer Julius Herriet Sr. is given credit for the lowercase in 1867, two years after its initial use as a titling font. Thanks for Dr. David MacMillan for fuller information.
Victorian Dreams
When I began letterpress printing 26 years ago, very few fonts were available to me, and none at all which captured the exuberance and style of the Victorian era I so love. Fast forward to the revival of revival type foundries-- and my prayers are answered. Skyline Type Foundry has reproduced some decorative fonts long unavailable for purchase, including one of my favorites, Arboret. To get a better view of this beauty, please double click to biggify. You won't be sorry!
The friendly proprietor and me
Tuesday, April 02, 2013
By the Sea
Even though I love beachwalking, I get busy and forget to go. Visited a kite store in Ventura Harbor after the Anacapa trip, and got a brainstorm. If I had a kite I could easily fly, it would induce me to go to the beach!
And so it did. I bought a deltaflow, one of the easiest to fly, thanks to the advice of the owner. Went to the beach today, and wow, is it ever easy.
The slough has blocked its own mouth, as it often does in the winter, so I could walk further than usual. A low tide helped me get around two points further. All that way I walked my kite.
On the way back to the pier, I was walking away from the wind and several times the kite tried to land as I walked. But I persisted, and so did the wind. Past the pier to the end of Goleta beach I walked. Low tide still was out, and I could get around the point to University beach, so I did that too.
I walked to University point and decided to turn it around there. Total walked 4 - 5 miles. Air inhaled, who knows but it was wonderful. Seaweed float bladders popped, too many to count.
And I'm rich in sand dollars! Even though they are fairly rare on this beach, I picked up 23 today!
I think I'd rather walk my kite than a dog. No pooperscoopering; it won't bite; and it heels perfectly. I forgot to mention how pretty it is!
And so it did. I bought a deltaflow, one of the easiest to fly, thanks to the advice of the owner. Went to the beach today, and wow, is it ever easy.
The slough has blocked its own mouth, as it often does in the winter, so I could walk further than usual. A low tide helped me get around two points further. All that way I walked my kite.
I walked to University point and decided to turn it around there. Total walked 4 - 5 miles. Air inhaled, who knows but it was wonderful. Seaweed float bladders popped, too many to count.
And I'm rich in sand dollars! Even though they are fairly rare on this beach, I picked up 23 today!
I think I'd rather walk my kite than a dog. No pooperscoopering; it won't bite; and it heels perfectly. I forgot to mention how pretty it is!
Sunday, March 31, 2013
A Stellar's Sea Lion on Anacapa Island
We saw part of the back of Anacapa Island on the trip back to port. We traveled around the famous arch:
To the far side of the island, where we observed some seals and one lone Stellar Sea Lion lounging on the rocks. He was huge: the captain said probably around 800 pounds. More than my Pearl press! Stellars are known for being shy, and this one was no exception.
And even closer to the Arch on our way around it:
To the far side of the island, where we observed some seals and one lone Stellar Sea Lion lounging on the rocks. He was huge: the captain said probably around 800 pounds. More than my Pearl press! Stellars are known for being shy, and this one was no exception.
As we passed by, he lumbered to the water's edge.
With an 800 pound splash, he was gone.
I could see his head above the water as he swam away.
To see him well, double click on the pics to biggify them!
Labels:
Anacapa Island,
Channel Islands,
Stellar's Sea Lion
Saturday, March 30, 2013
Further afield
Took a nice boat trip to Anacapa Island yesterday. That makes two Islands for me. I'd like to be able to go to each one, just to say I did.
But here is a pic of a Giant Coreopsis and, err, passenger. It is mating season among the Western Gulls and they were all over the island, staking out territory and defending it from others. They seem to love to sit atop the flower clusters of the Coreopsis.
It was a lovely day of exploring the small island, enjoying its plants and observing the many nesting gulls and brown pelicans. I found out it's the largest pelican breeding ground on this coast!
DO biggify this one. I'm proud of it.
But here is a pic of a Giant Coreopsis and, err, passenger. It is mating season among the Western Gulls and they were all over the island, staking out territory and defending it from others. They seem to love to sit atop the flower clusters of the Coreopsis.
It was a lovely day of exploring the small island, enjoying its plants and observing the many nesting gulls and brown pelicans. I found out it's the largest pelican breeding ground on this coast!
Territorial argument
Paired up
Labels:
Anacapa Island,
Channel Islands,
Giant Coreopsis,
Western Gull
Wednesday, February 13, 2013
Too Much of a Good Thing
I have a challenge to meet for my Amalgamated Printers Association (APA) June bundle: a mini-poster to compose and set. Guidelines are 3.5 x 5" size, no font over 24 pt, and the rest is up to me.
I searched both shops for my little bust with the Phrenology map on it, but that cut cannot be found. I decided to rely on words and typefaces, in the manner of a 19th century poster or title page, changing styles every line to show off the type.
It's now set, using a combination of revival castings and actual antique fonts, and I'm happy with it. Minor detail: the type as it sits measures five inches! There's no room for top and bottom margins. Aargh.
The job is lurking on the stone awaiting my further attentions. Something surely has got to give!
I searched both shops for my little bust with the Phrenology map on it, but that cut cannot be found. I decided to rely on words and typefaces, in the manner of a 19th century poster or title page, changing styles every line to show off the type.
It's now set, using a combination of revival castings and actual antique fonts, and I'm happy with it. Minor detail: the type as it sits measures five inches! There's no room for top and bottom margins. Aargh.
The job is lurking on the stone awaiting my further attentions. Something surely has got to give!
Friday, January 25, 2013
Shop's Log, Stardate 2013
My shop is a small building in the back yard, and I find myself continually writing hurried notes and stuffing them into a pocket to either take to the shop, or bring into the house from the shop. It's time for another approach-- one which is not so prone to blowing away.
Since Three Toad Press is 25 years old as of December, 2013, I decided a Shop Log would be a good approach. In it, I can record what I worked on and what I need to do next, as well as add reminders about what things from the house need to go outside, and which things need to come back inside!
Since Three Toad Press is 25 years old as of December, 2013, I decided a Shop Log would be a good approach. In it, I can record what I worked on and what I need to do next, as well as add reminders about what things from the house need to go outside, and which things need to come back inside!
So here you have Three Toad Press's first Log Book. About time, after 25 years of printing!
Saturday, January 19, 2013
Work Day. No Pic!
Busy afternoon in the shop today, even if no pic was taken.
1. Cut paper for "Water," a challenge for the Coast Letterpress Guild, newly formed in Central California. Set title for the piece and added leading to the first five lines. I will publish it in two sections of five lines each. Something about being out of sorts: short on e's and a's.
2. Set February 2013 APA piece, a poem and its title "How Do I Love Thee APA?"
3. Chose font possibilities for a mini poster challenge for APA, due in June. This will be 3.5x5," with a quote. Largest type size 24 pt. Can use fancy or plain type. I chose fonts appropriate for this poster:
- 16 Tuscan
- 18 & 24 Facade
- 18 Cicero (revival casting)
- 14 Bruce's Ornamented #1024
- 18 Radient No. 1
- 10 Victoria Italic (revival casting)
- 12 on 14 & 22 Corinthian (one a revival casting)
- 18 Trocadero (revival casting)
- 22 Roman (unknown foundry & name)
- 16 Renaissant
- 6 Engravers' Bold # 1, 2, or 3
- 12 Engravers' Bold
- 6 Garamond (for the fine print)
And in typing my list I realized that quite a few of these are the real deal! Twenty five years ago I despaired of ever even seeing a real nineteenth century font. But in the process of finding type from individual sellers, I have a few to play with now. It's a good feeling. They will get gentle use and good cleaning.
I hope to do a bang-up job on this mini poster. It pushes all my creative buttons.
1. Cut paper for "Water," a challenge for the Coast Letterpress Guild, newly formed in Central California. Set title for the piece and added leading to the first five lines. I will publish it in two sections of five lines each. Something about being out of sorts: short on e's and a's.
2. Set February 2013 APA piece, a poem and its title "How Do I Love Thee APA?"
3. Chose font possibilities for a mini poster challenge for APA, due in June. This will be 3.5x5," with a quote. Largest type size 24 pt. Can use fancy or plain type. I chose fonts appropriate for this poster:
- 16 Tuscan
- 18 & 24 Facade
- 18 Cicero (revival casting)
- 14 Bruce's Ornamented #1024
- 18 Radient No. 1
- 10 Victoria Italic (revival casting)
- 12 on 14 & 22 Corinthian (one a revival casting)
- 18 Trocadero (revival casting)
- 22 Roman (unknown foundry & name)
- 16 Renaissant
- 6 Engravers' Bold # 1, 2, or 3
- 12 Engravers' Bold
- 6 Garamond (for the fine print)
And in typing my list I realized that quite a few of these are the real deal! Twenty five years ago I despaired of ever even seeing a real nineteenth century font. But in the process of finding type from individual sellers, I have a few to play with now. It's a good feeling. They will get gentle use and good cleaning.
I hope to do a bang-up job on this mini poster. It pushes all my creative buttons.
Monday, January 14, 2013
Saddles
This weekend I picked up the roller saddles for my C&P from Jay Robison (who doesn't have a website) at his shop in Santa Clara.
Jay bored out the worn areas and filled them with bronze, then drilled new bearing surfaces for the rollers. He then made new fittings to hold the saddles in place. Formerly they were press fit. To remove them required drilling them out.
Now I can remove the roller saddles if I need to, and of course re-install them myself.
Jay makes custom remanufactured parts for antique autos and other things, including a replica of the Wright Flyer. Seriously. He's even done specialty machine work for BART (Bay Area Rapid Transit). I was thrilled at his price: under $200 for this great refit pair.
Once they're installed I'll have to post again. First, I'll have to solve the other problems the C&P has, like below type-high rails and undersize trucks. All in a day's printing exercise, right?
Jay bored out the worn areas and filled them with bronze, then drilled new bearing surfaces for the rollers. He then made new fittings to hold the saddles in place. Formerly they were press fit. To remove them required drilling them out.
Now I can remove the roller saddles if I need to, and of course re-install them myself.
Jay makes custom remanufactured parts for antique autos and other things, including a replica of the Wright Flyer. Seriously. He's even done specialty machine work for BART (Bay Area Rapid Transit). I was thrilled at his price: under $200 for this great refit pair.
Once they're installed I'll have to post again. First, I'll have to solve the other problems the C&P has, like below type-high rails and undersize trucks. All in a day's printing exercise, right?
But see the beauty of the remanufactured parts. Enjoy!
Tuesday, January 01, 2013
Resolutions for the Shop
Everybody needs a few resolutions. I decided my shop deserved some this year.
This case is double-laid, a larger size with a smaller one. I need to make sure all my type is neatly distributed and in good shape.
1. I want to print something for the APA Bundle every month of 2013. And mail it on time!
2. I want to take control of the mess in the shop, much of which is the result of buying out somebody else's mess a few years ago.
3. I want to work on my 1890 Pearl and get it up and running. I'm so close, but so far. Even disassembled, the thing is too heavy for me alone. I've found myself a helper, so I have hope for this year.
4. I need to winnow the type collection. Unless it's an antique survivor, there's simply no point in keeping a beat up font. Better to donate it to the Printing Museum and let them melt it down and make new type.
And today, the first of January, I made progress on some of the above! I consolodated Pearl parts (#3) and got rid of the big unwieldy box they were in; sorted type in a rusted galley(#2); and last week I printed two bundle pieces, so I'm a month ahead. I have til Friday to mail them.
Best wishes to all for a happy and productive New Year!
1. I want to print something for the APA Bundle every month of 2013. And mail it on time!
2. I want to take control of the mess in the shop, much of which is the result of buying out somebody else's mess a few years ago.
3. I want to work on my 1890 Pearl and get it up and running. I'm so close, but so far. Even disassembled, the thing is too heavy for me alone. I've found myself a helper, so I have hope for this year.
4. I need to winnow the type collection. Unless it's an antique survivor, there's simply no point in keeping a beat up font. Better to donate it to the Printing Museum and let them melt it down and make new type.
And today, the first of January, I made progress on some of the above! I consolodated Pearl parts (#3) and got rid of the big unwieldy box they were in; sorted type in a rusted galley(#2); and last week I printed two bundle pieces, so I'm a month ahead. I have til Friday to mail them.
Best wishes to all for a happy and productive New Year!
Labels:
APA,
letterpress printing,
New Year,
Pearl,
resolutions,
Three Toad Press
Tuesday, November 27, 2012
For the Win!
It's November. No kidding.
Once again, for the fourth November in a row, I have participated in National Novel Writing Month (NaNoWriMo), and WON.
Despite the hazards of the game -- duties, company, errands, other projects, and journeys-- I stuck to it and produced wordage. 50,000 more than I would have written without the spur of this annual event.
This year it is more of an accomplishment. I bogged down in the middle of a sequel, and switched to my historical novel of last year. I tacked that on to the document already underway and kept writing. Net effect is 50,000 words, but they are destined to be edited into two other novels. I struggled with each story line, but by judicious application of buns to chair and fingers to keys, I finished.
Whew.
Now I can enjoy the coming season. There are no classes to distract me, and I won't be editing my novel until after Christmas. I'm working on getting my press (the C&P this time) repaired, ordering the wood parts for my dad's Model T, and catching up on sewing projects.
Guess I'd better print some Christmas cards too. This year, on the Vandercook!
Once again, for the fourth November in a row, I have participated in National Novel Writing Month (NaNoWriMo), and WON.
Despite the hazards of the game -- duties, company, errands, other projects, and journeys-- I stuck to it and produced wordage. 50,000 more than I would have written without the spur of this annual event.
This year it is more of an accomplishment. I bogged down in the middle of a sequel, and switched to my historical novel of last year. I tacked that on to the document already underway and kept writing. Net effect is 50,000 words, but they are destined to be edited into two other novels. I struggled with each story line, but by judicious application of buns to chair and fingers to keys, I finished.
Whew.
Now I can enjoy the coming season. There are no classes to distract me, and I won't be editing my novel until after Christmas. I'm working on getting my press (the C&P this time) repaired, ordering the wood parts for my dad's Model T, and catching up on sewing projects.
Guess I'd better print some Christmas cards too. This year, on the Vandercook!
Labels:
letterpress printing,
NaNoWriMo,
novel writing,
Vandercook
Tuesday, November 13, 2012
By the Numbers
I bought these on eBay. They'll come in handy some time. They're about 5-line numerals. The seller, though not a printer, had "celtic" in the image title. She may be right. I'm posting them for a cross-check with other printers, so leave a comment if Celtic isn't the correct name.
Labels:
APA,
letterpress,
letterpress printing,
Three Toad Press,
wood type
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