APA Wayzegoose

Sorry, no pics til I get home, but here in Lansing, MI, I'm having a great time hanging with fellow APA members. That's Amalgamated Printers' Association, a group of hobby and other printers.

I'm sometimes not sure how I qualify to hang with such witty and talented folks. It's nice to be able to talk shop, swap stories, and admire other printers' work though. Today we all enjoyed a trip to Owosso Graphic Arts, a company that makes printing plates and commercial dies. Very nice people and an excellent service for printers. They deal with huge businesses and hobby printers alike.

After lunch, we visited a steam train museum whose line has the name of Pere Marquette. What the crossover between letterpress and steam is I can't say, but there is a strong connection. My highlight was riding on a caboose as it was switched from one track to another.

This evening, Joe Warren talked about scoring and die cutting on a platen press. It was a highly useful talk for those of us who have only printed on our presses. Joe showed us examples of scoring matrix, explained the use of a jacket for die cutting, and demystified die cutting with sample dies and their products.

Then Arie Koelwyn gave a talk about using unusual materials to print with. He has used bent rule, children's suncatchers, thin foam cutouts, wood letter cutouts, nature materials, and almost anything flat he can fine, mounted type high, inked, and printed. His printing is always well executed and attractive, so his use of these materials is encouraging.

And that's just the first day of the Wayzegoose. Stay tuned. Tomorrow begins the feeding frenzy: the yard sale in the morning, followed by the auction in the afternoon.

Another Font ID

Several years ago I bought out a hobby shop which was long disused. It had not been well-kept, and it has taken me this long to begin taking a closer look at what was in the cases.

One case was labeled "Antique Egyptian Shaded," but I looked more closely at it while cleaning up today. Oh my-- it is an old face, and the pinmark tells me it's from Johnson typefoundry in Philadelphia. I'm posting the photo so my listward friends can see it, and determine if the name on the case was correct. I don't have a Johnson specimen book to check it against.

Stay tuned. Under all that dirt, the font is in pretty good shape.

CLICK TO BIGGIFY (and hopefully see the entire font!)


And the rest of THIS story, courtesy of Letpress and Steve Saxe:

Your type is Radiant No. 1, designed by Herman Ihlenburg, patented 18 July 1876 for MacKellar Smiths & Jordan. (I'm happy to say that it's in my new book, Loy's  "Nineteenth-Century American Designers and Engravers of Type".) [ SHAMELESS PLUG: $59.95, Oak Knoll Press, with 800 high-resolution scans of typefaces pictorial borders.]   It's very similar to Condensed Ray Shaded, the Bruce foundry's competing face. . It's not an Antique or Egyptian - no slab serifs, they are bracketed.

After the death of Lawrence Johnson, the new owners, who had been his former employees, continued to call the new company ( MacKellar, Smiths & Jordan) "The Johnson Foundry" out of affection for their former employer. This type was designed well after the new owners were in place, from 1868 on.